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Contemporary Art
Stephen Brandes

Maud Cotter

Blaise Drummond

Nathalie Du Pasquier

Patrick Michael Fitzgerald

Anita Groener

Marie Hanlon

Alexis Harding

Martin Healy

Ronnie Hughes

Eithne Jordan

Michael Kane

Nick Miller

Tom Molloy

Liam O'Callaghan

Donald Teskey

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Eithne Jordan

Past Exhibitions By This Artist

November 2002
Paintings
B. Dublin 1954. Although based primarily in Ireland throughout her career, Eithne Jordan has lived for extended periods in London, Berlin and since the mid 90s in the Languedoc region of the South of France. Since her first visit to rural France in the late 80s, she has engaged increasingly with the place itself as the subject of her work. She first used the landscape as a means to focus on that tradition of painting, taking on all of the formal challenges that it presents. In her recent shift to industrial and urban environments this is an even more central concern.
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October 2004
Recent Landscapes
Eithne Jordan (b. 1954 Dublin) studied at Dun Laoghaire School of Art from 1972-76 and has lived for periods of time in London and Berlin (DAAD fellowship). Eithne currently divides her time between Dublin and the Languedoc region of the South of France and has exhibited regularly in Ireland and Europe; Model + Niland Gallery Sligo, Centre Culturel Joel-le-Theule France, Limerick City Gallery of Art, McMullen Museum of Art Boston College (survey show).
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December 2005
Happy Holiday
PARTY Saturday 17th December, 2.00 - 6.00 pm
& Sunday 18th Decemeber 12.00 - 6.00 pm
Mondy - Friday 12.00 - 6.00 pm until Friday 23rd December
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November 2007
City
Eithne Jordan's exhibition will include works recently shown at the Centre Culturel Irlandais in Paris along with new works. In these new paintings her exploration of landscape inhabited by the forms of the contemporary world shifts to a study of the urban environment. The city with its metro stations and streets, cars and road signs, has become her subject. The source of light, which has always fascinated the artist, has changed from the natural to the artificial. A body of paintings has emerged that has a different spatial structure and is much darker in tone. The absence of the human figure creates an atmosphere of stillness and emptiness.
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February 2010
Night in a City
Bare of people, and eschewing the well known tours of architectural highlights, Eithne Jordan’s Night in a City series focuses our attention on Vienna. Resonating with a sense of emptiness, these beautifully executed paintings are pregnant with action that is either to come, or else is taking place just out of view. Jordan’s delicate handling of paint prevents the heaviness of blank concrete walls, or the façades of nightime’s sleeping buildings from becoming overbearing and oppressive, instead what is revealed is a more intimate portrait of a city left for a moment to be simply itself.
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